Wednesday, July 21, 2004

THE LEGEND OF KING ARTHUR

As most people have probably spotted a new movie is about to hit the screens based on the supposed stoiry of King Arthur, the semi-mythical first King of England. Looks like it could be a good movie in the switch-your-brain-off-and-enjoy-the-action kind of a way.

On the back of the movie the English tourist industy, and in particular Cornwall, which, as far as I am aware, has always been the generally accepted birthplace and original haunt of Arthur, is gearing itself up in the hope of attracting a few feeble-minded movie buffs to blighty's muddy shores and parting them from their hard earned dosh.

As King Arthur and his legend lay siege to box offices around the world, conflict rages in the land of his birth.
For not only was Arthur Britain's saviour in the Dark Ages against invading Saxons, he also works wonders on the tourism earnings of depressed local economies -- and several are vying for his services.
The tale of Arthur, the sorcerer Merlin, and the quest for the Holy Grail has long been a staple of British schoolchildren.
Most were taught he was born of an illicit tryst between the English king Uther Pendragon and the wife of his rival Gorlois after Uther sneaked into Gorlois' Tintagel Castle high on Cornwall's craggy Atlantic cliffs.
"They say it was right here that Merlin magicked Uther into the likeness of Gorlois so he could sneak into the bed of his wife, Ygerna," Cornish expert Rob Tremain told Reuters from within the stronghold's slate walls.
"We're quite confident that this was Arthur's birthplace," he added.


Now however, the Scots and Welsh are trying to get in on the act. Not content with draining the English taxpayer of every last drop just to keep their feeble countries afloat, they now want to nick our King!

But a revolt is simmering north of the border in Scotland, according to author Alistair Moffat, whose book "Arthur the Lost Kingdoms" argues he was a Scot.
"The Cornish got seriously upset with me," he said. "A lot of the Cornish tourist industry depends on this."
Jerry Bruckheimer's movie, "King Arthur", has Arthur as a Romano-British mercenary, played by a stoic Clive Owen. He leads a band of knights against Celts in Scotland, helping the Roman Empire as it retreats from Britain.
Guinevere, played by Keira Knightley, persuades the knights to switch sides, joining her Celtic brethren against Saxon invaders as they rush to fill the power vacuum left by the Romans.
To coincide with the film's British release Scottish Borders Tourism has launched a campaign highlighting local Arthurian connections.
It places Arthur's fortress of Camelot at Roxburgh, a full 470 miles (756 km) away from the Cornish tourist board's preferred location near the town of Camelford in southwest England.
As further evidence to back up the Scottish claim, Moffat cites a 7th century poem found in Edinburgh, "The Gododdin", as the first reference to the warrior-king.


I'm sorry? Some poem written by a semi-literate scot in the 7th century while he was waiting for the invention of deep-fried Mars bar, deep-fried pizza and heart disease is supposed to prove he was scottish?

And now the sheepshaggers want a piece of the action..

Twelfth century poetry from the "Black Book of Carmarthen" describes Arthur as a Welsh warlord, says Steve Blake, director of the Centre for Arthurian Studies in North Wales.
References to the castle in Tintagel merely stem from confusion with the Welsh word Dindagol, meaning city on the headland, he says.


So the fact that there actually was a place called Tintagel is irrelevant and we're supposed to believe it is a corruption of Dindagol? Come on. And even if true, I don't care if a welsh word translates as "place where Arthur, Guinevere, Lancelot and a lot of knights all lived and sat around a round table" I still would refuse to accept it as any form of evidence. In fact anything in Welsh should be automatically dismissed as it is not a language so much as a phlegm-hurling contest.

To historians, however, the conflict and confusion serve to illustrate a much more sobering possibility.
Folk historian Juliette Wood says that when different regions lay claim to a legendary figure, it can often be taken as proof that the figure was more myth than actual history.
"This localisation of Arthur is the dead giveaway," she said. "In common with most academics, I don't think he was ever real."


Sadly this last bit is probably the truth, though why anyone would admit to being a "folk historian" is a complete mystery.